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Larry Hill Taylor: Stepson of the Blues: Reviews

Book Reviews

I just finished stepson of the blues. What a remarkable, sensitive, and important book. I ordered Larry's CD as well.

John Hagedorn - gangresearch.net (Jul 1, 2010)

CD Reviews

Drummer and singer Larry Taylor learned the blues from his stepfather, Eddie Taylor, the guitarist who helped pioneer the postwar Chicago style. He's since played sideman to other greats, including A.C. Reed, Willie Kent, and Johnny Littlejohn, but for several years he's also fronted his own band. On his debut CD, the new They Were in This House (A.V.), Taylor presents himself as an earnest roots man, using his grainy baritone on standards like Howlin' Wolf's raucous "Killing Floor" and Jimmy Reed's "Signals of Love." (Wolf, Reed, and other now legendary figures were regular guests at the Taylors' west-side home, hence the album's title.) Taylor's own "Blues, Hard Luck & Trouble" has a Wolfish lope that showcases his rhythmic sense and quivering down-home vibrato, but he's most interesting on modern fare; while many soul and blues singers today smooth the edges off their songs, Taylor revels in the aggression and unbridled sensuality that infuses classic R & B and soul. On "Jody's Got Your Girl and Gone"--a 1971 Johnnie Taylor hit that inspired a stream of answer songs--he sings with a blunt ferocity that evokes the dark, amoral world of the street hustler; on the cautionary tale "Last Two Dollars," another Johnnie Taylor track, his rasp contains a combination of anguish and stark desperation that evokes Mississippi's Highway 61, where rusted cars and rotting trailer homes languish within yards of glittering casinos
David Whiteis - Chicago Reader (Dec 16, 2004)
Like so many younger blues artists, Chicagoan Larry Taylor grew up immersed in the music. The stepson of the late Eddie Taylor, Jimmy Reed’s guitarist during his most productive years, Larry took up drums as a youth. He recently moved out from behind the kit to display his vocal chops, which lend themselves perfectly to the soul-blues material on this debut CD.

Co-produced by Taylor, keyboardist Barrelhouse Bonni, and Steve Wagner of Delmark Records, “They Were in This House” is one of the best-sounding blues albums of the year. And the material is well-chosen, particularly “Jody Got Your Girl and Gone,” a funked-up military cadence, and “Last $2,”, both by Johnnie Taylor (no relation).

Taylor covers Howlin’ Wolf as well, and his no-nonsense original tunes sound like they, too, could be taken from the Wolf’s songbook
Jeff Johnson - Chicago Sun-Times (May 30, 2004)
...while Taylor doesn't have a huge vocal range, he is an expressive, convincing vocalist who has no problem getting his emotional points across on either hardcore electric Chicago blues or hardcore soul. Taylor handles himself pleasingly well on blues items like Howlin' Wolf's "Killing Floor," Elmore James' "Knocking at Your Door," and Jimmy Reed's "Signals of Love" as well as on two songs that are associated with the late soul man Johnnie Taylor: "Jody Got Your Girl and Gone" and "Last $2." They Were in This House (which Larry Taylor produced with his manager Bonni McKeown, aka Barrelhouse Bonni) isn't groundbreaking -- no one will accuse Taylor of being innovative -- but it's a solid, enjoyable demonstration of the fact that the Chicagoan made a wise decision when he decided to start recording as a singer.
"Expect really great songs, fine arrangements, some tasty horns, genuine West /Side Chicago electric guitar licks and perfect vocal execution. They Were in This House has a spirit and personality that are 100% for real.
George Seedorff - Big City Rhythm & Blues Magazine (Oct 1, 2004)
This is one of those CD's that is so good, so loaded with the real deal blues and so well done that it is so hard to only pick out a few tracks to mention.
It’s refreshing to see a new Chicago band that neither approaches blues via a funk/modern R&B sensibility, nor is consciously retro.”
Scott Barretta - Living Blues (Nov 1, 2004)
Larry Taylor is a strong vocalist who is at home covering Johnnie Taylor’s “Jody Got Your Girl and Gone” (in 2 parts) as he is reviving Howlin’Wolf…Taylor’s originals, “Blues, Hard Luck & Trouble,” and “Green Line Blues” (inspired by Chicago’s mass transit) are solid songs and like the rest of the album, nicely played… He sings with plenty of soul which is matched by his backing band. This is well worth checking out and giving a listen to.
Ron Weinstock - DC Blues Society (May 1, 2004)
Taylor takes his own spin on these cover tunes and makes them unique and fun to listen to. Espeically tops on my list would be his appproach two the two--count them-- two Johnnie Taylor tunes "Jody Got your Girl and Gone" and "Last $2."... It all comes back to the vocal performances of Taylor who does a fine job of holding everything together. Check him out on the original composition "Tell Me Baby" parts one and two. He moans and groans in sync with the guitar. It's a wonderful little exchange that just rides this amazing groove and keeps on going. A great CD from the Windy City

Performance Reviews

Notice on Larry's Website Guestbook:
Larry,
We are still hearing good things about the Blues and the Spirit Symposium and your wonderful performance at the opening reception on Thursday, May 21 as well as your appropriate and cogent remarks about the state of the music business at the Lived Experience Panel. Thanks for helping us set the tone and thanks for bringing in all the Chicago musicians who gave us one of the best jams of the summer.
Long live the blues!
Dr. Janice Monti
Dr. Janice Monti - Blues & Spirit Symposium 2008 (Aug 19, 2008)
Saw you at Westminster Presbyterian Church with the DC Blues Society in DC tonight (Saturday, 4/14/07)-really enjoyed your performance. Thanks.
Celina Wood (Apr 14, 2007)